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2000 studio album past Britney Spears

2000 studio album by Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio anthology by

Britney Spears
Released May 3, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • tertiary Flooring
  • Avatar Studios
  • Bombardment Studios
  • Electric Lady Studios, New York City
  • Due east Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Bout-de-Peilz, Switzerland
Genre
  • Popular
  • dance-popular
  • teen pop
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby One More Time
(1999) 		Oops!... I Did It Again
(2000) 		Britney
(2001)
Singles from Oops!... I Did It Once more
  1. "Oops!... I Did It Again"
    Released: Apr 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Let Me Be the Terminal to Know"
    Released: March 12, 2001

Oops!... I Did Information technology Again is the 2d studio album past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut anthology ...Baby 1 More Time (1999), it is a popular, dance-pop, and teen pop record, the album incorporates a more than funkier and R&B sounds.[i] Contributions to the anthology's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]

Upon its release, Oops!... I Did It Over again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number 1 in over fifteen countries while peaking inside the superlative ten in diverse others. In the United states of america, information technology debuted at number one on the Billboard 200, with commencement-week sales of ane.39 million copies, becoming the fastest selling anthology by a female artist since Nielsen SoundScan began tracking bespeak-of-auction music purchases in 1991.[3] This tape was broken fifteen years later by Adele'south 25, which sold over 3.38 one thousand thousand copies in its outset week of release.[four]It became Spears' second sequent album to be certified Diamond by the Recording Industry Clan of America, cogent sales of over ten one thousand thousand copies in the United States, making Spears at age 18 the youngest creative person to have multiple diamond albums.[5] With worldwide sales of over 20 million copies,[half dozen] Oops!... I Did It Once more is one of the best-selling albums of all-time.

Four singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number 1 in fifteen countries and peaking at number ix on the Usa Billboard Hot 100. Its 2nd single, "Lucky", peaked at number one in Austria, Federal republic of germany, Sweden and Switzerland, within the summit 10 in Commonwealth of australia, Kingdom of belgium, Canada, Denmark, Ireland, Italy, holland, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number 20-three on the US Billboard Hot 100. Its third unmarried, "Stronger", reached the top ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number xi on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Denmark, Germany, New Zealand, Sweden, and the United states. Its final single, "Don't Let Me Exist the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the top ten in Austria, Poland, and Switzerland, simply failed to chart on the Us Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She besides was the host and musical guest for the first fourth dimension on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Once more Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.

Recording and production [edit]

"When I did the first album, I had just turned 16. I hateful, when I look at the album comprehend, I'm like, 'Oh, my lordy.' I know this next album'southward going to be totally unlike--especially the material. I just got finished recording the first half dozen tracks in Sweden ii months ago, and the material is so much more funkier and edgier. And, of course, it's more mature because I've grown as a person too."

—Spears on the progression of her fabric for the album.[seven]

After vacationing for six days post-obit the completion of the ...Baby One More than Time Tour in September 1999,[viii] Spears returned to New York City to begin recording songs for her adjacent album; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[ix] The songs "Oops!... I Did It Again", "Walk on By" (later covered past Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the get-go to be recorded at Martin'due south Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the title track) in Jan 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the vocal.[10] "Where Are You Now" was an outtake from ...Baby Ane More than Time. "Girl in the Mirror" and "Can't Make You Dear Me"'s instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to tape Diane Warren's "When Your Eyes Say Information technology" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that mean solar day. "1 Kiss from You" was too recorded at Battery Studios but was after finished at 3rd Floor in New York Metropolis. Spears besides recorded the last runway for the album "Honey Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Middle". Her cover of "(I Can't Become No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 afterward attention the 42nd Annual Grammy Awards.[xiii]

By Jan, the so-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized material in New York City.[nine] She was heavily pressured after ...Baby 1 More than Fourth dimension 'southward huge commercial success, stating: "It's kind of hard following ten 1000000, I have to say. But subsequently listening to the new material and recording it, I'one thousand really confident with information technology."[14] Upon the release of Oops!...I Did It Once again, Spears said: "I mean, of grade there'southward some pressure", and added: "Only in my opinion, [Oops!] is a lot better than the first album. It's edgier – it has more of an attitude. It's more me, and I think teenagers will relate to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when you take a young fan base of operations, get 'em while they're hot."[fifteen]

Music and lyrics [edit]

Oops!... I Did Information technology Again was considered every bit a sequel to Spears' debut album, ...Infant One More Time (1999),[one] percolating with a carefully measured blend of familiar pop, funk, R&B and ability balladry.[16] Spears said during an interview that the album has a more than mature, R&B-flavored pop sound. "It's not something I changed purposefully", Spears said of the album's sound and added: "It'due south just something that kind of changed on itself with me being older. My phonation has changed a piffling bit and I'yard more confident, and I think that comes across on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "Information technology's going to stupor everybody", adding: "Information technology has flavors of the original, but it'due south a straight 2000 version — new to the ear. Which I recall is absurd, considering people who capeesh that song are going to love it. And I made it so new and immature that the young kids that love Britney are going to love it. It's going to take hold of both a mature and young audition."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When you hear the vocal, it's so pure and frail. Information technology's only 1 of those songs that pull yous in", and added: "I think they wrote it 'specially for me, because the lyrics of the song, if you really mind … they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying."[17]

The title rails and opening vocal, "Oops!... I Did It Once again", was compared to her debut single, "...Babe One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears alert to an overeager prospective lover: "Oops, you think I'chiliad in love/That I'grand sent from above — I'k not that innocent."[18] The song also breaks down for a spoken-discussion interlude, involving a line from the moving picture Titanic (1997).[xviii] The 2d rails "Stronger" is a synthpop[nineteen] and R&B-infused track,[17] which is lyrically a proclamation of independence, where Spears leaves a partner who treats her like property.[xx] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby One More Time".[17] Another R&B-infused track, which also adds a bit more funk to the mix,[17] "Don't Become Knocking on My Door" finds Spears confidently forging alee after a breakup.[20] The fourth track, a encompass of the Rolling Stones' "(I Tin't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry out, crackling lockstep is thrown downward, turning the song into an urban stomp.[21] The dance-pop version too jettisons the song'southward final verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should be").[22] "[It] was my idea [to tape the song]", Spears said. "I was just like, 'I like this vocal,' and I think information technology volition be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[xiii] The fifth runway, "Don't Let Me Be the Last to Know", was co-written past country-popular singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the runway.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you lot're into me ... but I need to hear information technology straight from you", she sings.[17]

The 6th track "What U See (Is What U Become)" demands respect by rebuking a jealous partner,[20] while the seventh rail, "Lucky", is a center-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[twenty] "If there'south nothing missing in my life/Then why do these tears come up at nighttime?", she asks.[19] "Schoolhouse crush" is the theme of "Ane Kiss from You",[20] a track that has a reggae-style beat out and lyrics about the feelings of falling in honey, and the quickness of information technology,[23] with Spears cooing that after only one kiss she sees her unabridged future with her lover.[24] The ballad "Where Are You Now" talks virtually wanting to know where a previous love is, and what that person is up to, so that she tin can finally let them go and discover closure.[ citation needed ] Lines on "Can't Make You Dear Me", a Europop vocal,[21] land that fancy cars and money pale in comparison to true love,[xx] with Spears singing: "I'm just a girl with a crush on you lot."[21] The mid-tempo, synth-backed "When Your Optics Say It", written past songwriter Diane Warren, combines a string section with a loping hip hop beat,[17] while Spears makes her own songwriting debut on the small-scale, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[17]

Release and promotion [edit]

In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Blast Hits in the Britain.[25] In Italian republic, she did a brusk interview on the television receiver show TRL Italy in early on 2000.[25] and gave a surprise operation in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[25] In Spain, she gave an interview with El Rayo on September viii and October 24.[25] Spears performed at large venues in the Uk, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusk United Kingdom outing in October 2000.[26]

Oops!... I Did Information technology Again was get-go released in Japan on May three, 2000, and was later released in the United States on May xvi. In the Usa, Spears appeared on Saturday Night Live on May 13, The Rosie O'Donnell Prove on May xv, and Teen People'due south 25 Under 25 on May 26.[27] On May x, she was interviewed on Belatedly Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical guest on NBC's Saturday Night Alive. She also performed on NBC's The Tonight Evidence with Jay Leno on May 23.[28] Spears' held her post-TRL listening political party, "Britney's Kickoff Listen", on May 16, and was toast the arrival of her anthology on next Tuesday'south installment of TRL that started at iii:30 p.1000. (ET).[29] On May fourteen, she was at Times Square studios for two hours of "Britney Live" that started at apex.[29] Spears performed "Oops!... I Did It Over again" on MTV'south All Admission: Backstage with Britney that was broadcast on July 19, 2000.[25] On September vii, at the 2000 MTV Video Music Awards in New York Urban center at the Radio Urban center Music Hall, Spears gave a memorable alive functioning.[30] which included a cover of the Rolling Stones's striking single "(I Can't Go No) Satisfaction" (1965) and her own hit "Oops!... I Did It Once more", released before that yr. While she began her segment in a black suit, she shocked the audience and the media while, at merely the age of eighteen, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] One month earlier the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Fox television special titled Britney Spears in Hawaii. The free concert was held on the embankment in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[32] Spears had on a calendar month-long international promotional tour in support of Oops!... I Did It Again, and on May 2, she had a press upshot at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was as well among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[34] She was also expected to appear on a Grammy-day TRL.[34]

The album's supporting bout, the Oops!... I Did It Again Tour, visited Due north America, Europe, and Brazil as part of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did Information technology Again" and "Don't Let Me Be the Concluding to Know". On June 24, 2000, Spears was featured in a print and television advertisement campaign for Clairol'due south Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her ain vocal for the brand called "I've Got the Urge to Herbal" that was featured in lx-second radio spots and was role of a pre-concert video presentation for Spears's l-city summer concert tour, in which Herbal Essences was the bout sponsor.

Singles [edit]

"Oops!... I Did It Once again" was released as the lead unmarried from the album and achieved worldwide popularity. Information technology became Spears's tertiary pinnacle-ten hit single on the Us Billboard Hot 100, peaking at number nine; even so, in comparison to the huge success of her debut single "...Baby One More Time", Jive Records considered "Oops!... I Did It Once more" a modest disappointment.[36] The song peaked at number 1 on the U.s.a. Mainstream Height forty,[37] holding the record for the most radio additions in one twenty-four hours. "Oops!... I Did It Again" peaked atop the charts in Australia, Kingdom of belgium, Canada, Italy, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Once again" saw Spears on Mars in now-iconic cherry-red shiny catsuit, while she is visited past an American astronaut who hands her the fictional Heart of the Body of water gem which Rose threw into the sea at the end of Titanic.[39]

The album's second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered ane of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Nautical chart.[40] In the The states, "Lucky" only managed to elevation at number twenty-three on the Billboard Hot 100 nautical chart and at number ix on the Mainstream Top 40.[36] The "glittery" music video sees Spears equally the narrator and an actress named Lucky, who is a melancholy motion-picture show star and shows her conflicted relationship to fame.[41]

The third unmarried, "Stronger", was released on Oct 31, 2000 and became the album's 2d highest-charting unmarried in the The states, peaking at number eleven on the Billboard Hot 100 and number ane on the Hot Single Sales.[36] It reached number seven on the UK Singles Chart.[42] Its music video sees Spears catching her beau cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson'south video for "The Pleasure Principle".[43]

The fourth and last single, "Don't Permit Me Be the Terminal to Know", was released on March 12, 2001 and is ane of Spears' favorite tracks of her career. In the U.s., the vocal performed well below expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the song attained success in Europe, topping the Romanian Superlative 100 and peaking within the top ten in Republic of austria, Poland and Switzerland, while simply missing the top ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in dear scenes with her fictional boyfriend, played by French model Brice Durand.[45]

"You lot Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]

Disquisitional reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [i]
Billboard favorable[xvi]
Christgau'south Consumer Guide (choice cut) [48]
Entertainment Weekly B[21]
Los Angeles Daily News [49]
MTV Asia viii/10[50]
NME eight/x[19]
Rolling Stone [22]
Salon favorable[51]
Sonic.internet [52]

Oops!... I Did Information technology Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Once again received an boilerplate score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-popular that made 'One More Time'," but remarked that, "Fortunately, she and her production team not only accept a stronger overall set of songs this time, only they also occasionally become carried away with the same bewildering magpie artful, [...] giv[ing] the anthology character autonomously from the well-crafted dance-pop and ballads that serve every bit its heart. In the end, information technology'due south what makes this an entertaining, satisfying heed."[ane] Billboard magazine wrote that "'Oops!...' indicates that she'due south developing a soulful edge and emotional depth that tin can't be conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears as a young woman coming to terms with her inner power—and that'southward a darn proficient message to offer an impressionable audience."[16] Amusement Weekly's David Browne gave the album a B-rating, writing that the anthology "reminds us once again that the all-time new pop can exist a smash of absurd air in a stifling room."[21]

Rob Sheffield of Rolling Rock gave the album a three-and-a-half out of 5 stars rating, calling the album "fantastic pop cheese, with much meliorate vocal-factory hooks than 'N Sync or BSB go", also noting that "the great matter about Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of rock & curlicue tradition."[22] A writer of NME reported that "she'southward modernistic-24-hour interval popular perfection realised in a nigh, human form", commenting that "she's washed information technology again."[nineteen] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more than mature and seasoned pop star wait, stronger and poppier songs, and of class, all-encompassing media exposure."[50] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its message but for the fashion information technology applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more mixed, calling information technology "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[54]

Accolades [edit]

Commercial performance [edit]

In the United states, Oops!... I Did It Again reportedly sold 500,000 copies in its get-go day of release.[60] It debuted at number one on the Billboard 200 chart, with kickoff-calendar week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest first-week sales by a female artist.[64] This tape was held for fifteen years, only to be surpassed in November 2015 by the anthology 25 by Adele, which sold over 3.38 meg albums in the Us in its first week.[4] The anthology barbarous to number two in its second week, with additional sales of 612,000 copies.[65] It held this position for fifteen sequent weeks.[66] [67] By its fifth calendar week of availability, Oops!... I Did Information technology Again had sold over three 1000000 copies and had passed 5 million copies by August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of 7 meg units.[seventy] [71] The anthology spent 80-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the Usa Catalog Albums.[72] Oops!... I Did It Once more debuted at number eighty-two on the European Peak 100 Albums, and quickly peaked at number one;[73] it sold over four million copies within the continent, existence certified four-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Once again reached number two on the Britain Albums Nautical chart,[38] selling 88,000 copies in the beginning week of release; it remained in the summit 5 for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its starting time week.[75]

It topped the French Albums Chart[76] and the German language Offizielle Top 100, also being certified triple Platinum by the British Phonographic Manufacture (BPI),[77] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the top 20;[80] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Manufacture Clan (ARIA) the post-obit yr later on shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Once more opened at number iii on the New Zealand Albums Chart and was certified Gold afterwards just one calendar week on the nautical chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[84] Oops!... I Did It Once again became the third acknowledged album of 2000 in the United States, selling vii,893,544 albums according to Nielsen SoundScan[85] and fourth acknowledged anthology according to Billboard Year-End of 2000.[86] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Manufacture Clan of America (RIAA).[87] [88] Also, the album landed at number twenty-vii on BMG Music Club all-fourth dimension all-time-sellers list with one.21 meg units, behind Shania Twain'southward The Woman in Me (1.24 1000000) and Nirvana'southward Nevermind (1.24 million).[89] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did Information technology Again sold 2.5 one thousand thousand copies in its first week (2d highest first calendar week sales by a female artist worldwide) and sold 15 meg copies by the end of the year. Information technology was the acknowledged female person album and tertiary best selling album of 2000. The anthology has sold 20 million copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, challenge Spears' "What U See (Is What U Get)" and "Can't Brand You Honey Me" are "near identical" to i of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You See Is What Yous Get" in 1999 to one of Spears' representatives for consideration on a futurity album, though it was rejected.[91] The example was later on dismissed later it was ruled that they lacked sufficient prove and that there "weren't enough similarities betwixt the ii songs to prove copyright infringement."[92]

Track listing [edit]

Oops!... I Did It Again  – North American edition[93]
No. Title Writer(due south) Producer(due south) Length
1. "Oops!... I Did It Again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
 3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
 3:23
3. "Don't Get Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
 3:43
4. "(I Tin't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
 Rodney Jerkins four:23
5. "Don't Let Me Be the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
 Lange three:50
6. "What U See (Is What U Become)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
 3:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
 3:26
8. "1 Kiss from Yous" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
 3:23
9. "Where Are You lot Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
 iv:39
10. "Can't Make You Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
 3:17
11. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
4:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
 2:46
Total length: 44:37
Oops!... I Did It Again  – International edition[94]
No. Title Writer(southward) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
 4:06
xiii. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
 2:46
Full length: 48:24
Oops!... I Did It Again  – Asian edition[95]
No. Title Author(southward) Producer(s) Length
eleven. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
 iii:36
thirteen. "You Got It All" Rupert Holmes Eric Foster White four:43
14. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
 2:46
Total length: 52:33
Oops!... I Did It Over again  – Japanese, Australian, Mexican, Asian and UK special edition[96] [97]
No. Title Author(southward) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
 three:36
13. "You Got It All" Holmes White iv:10
14. "Heart"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
 3:31
15. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
 two:46
Total length: 55:34
Oops!... I Did It Again  – Australian special edition (bonus disc)[98]
No. Title Length
ane. "Don't Let Me Be the Last to Know" (Album version) iii:50
two. "Don't Permit Me Be the Last to Know" (Hex Hector Radio Mix) iv:01
3. "Don't Let Me Be the Terminal to Know" (Hex Hector Order Mix) 10:12
4. "Stronger" (MacQuayle Mix Show Edit) 5:21
five. "Stronger" (Pablo La Rosa'due south Tranceformation) 7:21
six. "Oops!... I Did It Again" (Music video) 4:11
vii. "Lucky" (Music video) 4:07
8. "Stronger" (Music video) iii:37
9. "Don't Let Me Exist the Concluding to Know" (Music video) three:51
Full length: 30:52
Oops!... I Did Information technology Once again  – Asian special edition (bonus disc)[99]
No. Title Length
1. "Oops!... I Did Information technology Again" (Music video) 4:twenty
ii. "Lucky" (Music video) 4:14
3. "Stronger" (Music video) 3:47
4. "Oops!... I Did It Again" (Karaoke) 4:17
5. "Lucky" (Karaoke) 4:18
6. "Stronger" (Karaoke) 3:46
Total length: 25:25

Notes

  • Runway four, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a song producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, groundwork vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, string arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Bricklayer, Sr. – editing
  • Bobby Brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, song engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Stonemason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – vocal engineer
  • Jackie Murphy – art direction, design
  • Marking Seliger – back comprehend, cover photo
  • Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken word
  • Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-up
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – pianoforte, usher, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, song organization, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Hill – stylist
  • Alfred Five. Brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Cistron Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweet – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – groundwork vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – background vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – background vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – groundwork vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – groundwork vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Encounter also [edit]

  • List of acknowledged albums
  • Listing of best-selling albums by women
  • List of acknowledged albums in the United States
  • Listing of fastest-selling albums

Notes [edit]

  1. ^ Equally of December 2010, Oops!...I Did It Again has sold ix,201,000 copies in the United States co-ordinate to Nielsen SoundScan,[187] with additional i,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year past year. 1959-2002] (in Castilian). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

provostthessell.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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